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The Boogeyman Movie Review 2023 | Thriller Twist to Stephen's Short Story

In this article, we are going to see The Boogeyman Movie Review 2023. The Boogeyman, directed by Rob Savage and written by Scott Beck and Brian Woods, is a film that brings together an impressive lineup of talented individuals. Drawing inspiration from a short story by Stephen King, this movie follows a traumatized family dealing with grief after a recent loss. As they cope with their emotions, they slowly begin to realize that there may be a lurking monster hiding in their closet.


The Boogeyman Movie Review 2023

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The Boogeyman Movie Review 2023

Rob Savage, known for his directorial work on the highly acclaimed horror film Host, which gained significant attention during the pandemic, showcases his skills once again in The Boogeyman. Departing from the found footage style that characterized his previous works, Savage unleashes his creativity in this film. The absence of the found footage format allows him to experiment more freely as a filmmaker. The opening shot, a captivating pan around a child's room, ending on a photograph, effectively provides essential information in a unique and engaging way. It becomes evident that Savage had been eagerly awaiting this opportunity, as his direction in The Boogeyman movie is exceptionally strong.

Performance of this Movie

One of the film's strengths lies in its performances. Sophie Thatcher and Chris Messina deliver particularly compelling portrayals, but the entire cast delivers solid performances. Additionally, the creature design in The Boogeyman is impressive. Savage wisely keeps the creature hidden in darkness for the majority of the film, adhering to the established horror convention that often leaves more to the audience's imagination. By not revealing everything in clear view, the darkness adds to the suspense and allows viewers to fill in the gaps with their own fears.

Is Boogeyman is a Best Flim?

Regarding the boogeyman subgenre, The Boogeyman stands out as the best film of its kind to date. While reminiscing about past boogeyman movie, such as the 2005 film Boogeyman starring Barry Watson, it becomes clear that this latest iteration surpasses its predecessors. The script, written by Beck and Woods, contributes significantly to the film's success. The dialogue is well-crafted, and the characters are fleshed out, defying the temptation to rely solely on the marketability of a well-known monster and the Stephen King name. Notably, Sadhie, Sophie Thatcher's character, stands out with a compelling backstory involving her mother, leading to an emotionally potent and chilling scare. Striking the delicate balance between emotional resonance and fright is a challenge in horror films, but The Boogeyman accomplishes it effectively.

Story Creation

Constructing the mythology and backstory for a creature in a horror film presents a difficult task. Many movies in the genre struggle to find the right balance, often resulting in either excessive exposition or leaving the audience with lots of unanswered questions. The Boogeyman navigates this challenge with varying degrees of success. While the film excels in dialogue, direction, and character development, the mythology surrounding the boogeyman can occasionally become murky. The serious tone of the movie sometimes leaves viewers yearning for more information and backstory. However, it is important to note that this choice was made deliberately to maintain the film's dark and emotional atmosphere.

Conclusion

The Boogeyman is a well-directed horror film that perfectly explores its premise while delivering compelling characters and performances. Rob Savage exhibits his talent as a director, taking advantage of the freedom provided by departing from the found footage style. Although the mythology of the boogeyman may not be fully fleshed out, the film compensates with its gripping direction, well-developed characters and strong dialogue. If you are seeking a horror film that effectively blends scares with emotional depth, The Boogeyman is a must-watch movie.

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